Restoration to Regency in Contemporary Fiction

Overview

This module examines contemporary (twenty-first century) novels set during the period 1660-1820: from the Restoration of Charles II to the Regency era popularly associated with Jane Austen. These works form part of the boom in ‘historical fiction’, a branch of the novel genre that dates at least as far back as Walter Scott’s Waverley (1814) but which has gained renewed popularity and prestige in recent years. By examining narratives set during a specific time-period, the module assesses the strengths and limitations of historical fiction, the reasons for its cultural and commercial purchase, its relationship to the past and to our contemporary moment, and the usefulness of the term ‘historical fiction’ itself. ‘Historical fiction’ encompasses a variety of modes, sub-genres and aesthetic categories, and the module addresses examples of ‘popular’, mass-market fiction and ‘literary’ (highbrow) fiction; intersections with other novelistic forms (such as crime, mystery and fantasy fiction); and the place within historical fiction of literary adaptations (of Austen’s novels especially). Historical fiction often returns to familiar motifs and historical events – such as the Napoleonic Wars or the decade of the 1660s, which saw the return of the monarchy, the spread of plague and the Great Fire of London. At the same time, contemporary writers have also revisited this period in order to recover marginalised voices: to reclaim, and re-imagine, historical identities in relation to gender, sexuality, race and class. Among other elements, we will consider narratives that focus on servants and slaves, and that explore such topics as crime and the city; social hierarchy and the status of women; empire and national identity; fact, fiction and historical ‘truth’. Via a dual focus on history and the present, the module will thus ask what contemporary fiction tells us about our understanding of the past, and about our own contemporary concerns, anxieties, and obsessions.

Learning Objectives

Having completed this module, students will have developed higher-level knowledge and understanding of contemporary ‘historical fiction’, in relation to the specific time-period 1660-1820. They will be able to identify and articulate the key critical and theoretical issues surrounding this body of fiction, such as the relationships between narrative, history and ‘the past’; fact, fiction, and historical ‘truth’. They will be equipped to distinguish different kinds of historical fiction and the various genres and modes in operation within these novels: popular vs ‘literary’ fiction; crime, mystery and fantasy; the role of literary adaptation. They will be able to situate recent historical fiction in relation to earlier novels and the history of the (sub-)genre. On completion of the module, they will be more fully attuned to the limitations and risks, popular appeal and value of contemporary historical novels, with particular regard to the period from the Restoration of 1660 to the end of the Regency era.

Skills

Having completed this module students will be able to:

• Analyse contemporary works of historical fiction in terms of genre, technique, readerships, and constructions of the past
• Demonstrate understanding of the various ways in which contemporary novelists have conceived and depicted the period 1660-1820
• Adjudicate critical and theoretical ideas regarding the relationships between fact and fiction, narrative and history within this literature
• Demonstrate understanding of the ‘politics’ of historical fiction, with regard to the voicing of the historically marginalised and the investigation of personal and group identities in terms of gender, sexuality, race and class
• Demonstrate transferrable skills in the forms of group discussion, written communication, and individual research

Assessment

none